Opening your phone these days is a bit like playing on a slot machine. You’re in for one of two outcomes: money, or loss. Luxury lifestyles, or dead children. It’s no wonder that we’re desperately reaching out for help in any direction.

There has been a tendency in recent years to conflate the two labels – perhaps as a result of American Liberalism being their comparatively ‘left-wing’ option. That conflation has allowed people who are chronic fence-sitters or who lean neutral to ride on the clout coattails of those pushing for real change.

I don’t think many of us remember every toy we had as children, but I do know that we remember summers playing mermaids at the pool

Sobriety is not a hindrance to connection; rather, it serves as an invitation to engage in deeper and more meaningful discussions.

The plot follows three firefighters that have been tasked with stopping a killer shark from terrorising New Orleans. Pretty standard action movie stuff, right? However, Tommy Wiseau’s approach to storytelling is to ignore all the rules on how to tell a story.

Mean Girls — the movie, the musical, the movie (again?), and the mediocrity.

There’s no denying that we need fairly priced clothes to cater to families and members of society that can’t afford to buy from sustainable brands or don’t have the time to browse charity shops.

Graham’s specific mounting of the script is, I think, a triumph of performance and stagecraft. The effort and passion that have gone into this show are palpable the entire way through and all facets of this performance are deserving of applause.

Asteroid City takes Anderson’s trademark fussiness and spins it around like a flying saucer cheekily dancing above a desert crater, leaning us towards the absurd in the process.